Legends of the Four Winds Pipe

Legends of the Four Winds Pipe

Many Native traditions recognize the sacred meaning of the Four Directions. The teachings of the Four Winds remind us of the cycles of life, the seasons, and the balance between humanity and creation. Different tribes hold their own unique understandings of these teachings, and many intertribal traditions also share similar symbolism.

The Four Directions

East — (Wiyohiyanpa)

The sun rises in the East.
It represents:

  • The beginning of the day
  • The beginning of life
  • New beginnings
  • Hope and illumination

South — (Itokaga)

The South brings the warm winds of summer and the growing season.
It represents:

  • Growth
  • Abundance
  • Youth
  • Life and vitality

North — (Waziyata)

The North brings the cold winds of winter and the hardships of life.
It represents:

  • Endurance
  • Wisdom gained through struggle
  • Strength
  • Purification

West — (Wiyohpeyata)

The sun sets in the West and brings the close of the day.
It represents:

  • Reflection
  • The end of life
  • Transition
  • The spirit journey

Respect for Tribal Traditions

Teachings about the Four Directions are found among many Indigenous peoples, though meanings and ceremonies differ from tribe to tribe. This teaching sheet reflects a Plains-style intertribal interpretation commonly shared in cultural gatherings and educational settings.

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Fire Council Ring by Ernest Thompson Seton

Fire Council Ring

by Ernest Thompson Seton

No camp can be truly a Woodcraft Camp without a Council Ring. The Council Ring in the woods about the fire was the original grouping of mankind. When so arranged, we get at once the ancient spirit of the woods—the democratic equalization of responsibility and of honor.

I do not feel that any camp can get the best results without a Council Ring, no matter what organization it may belong to.

I have made 74 of these personally, and that means partly at least with my own hands, and have been responsible for the building of many more.

These are the essentials: — a dry, level, beautiful place in the woods, not more than a quarter of a mile from headquarters, and out of sound of the kitchen. It must be at least forty feet across.

Having selected the exact spot, take a 12-foot cord; drive in the stake at the probable center, then try the 12-foot radius from it until you have found the spot that will destroy the fewest trees, and call for least labor in leveling. Set out a dozen or more stakes to mark the rim of this 24-foot circle.

Now begin with axe, spade, etc., to make this absolutely level—as level as a tennis court, because it is used for dancing and performances. If you have no other, you can make a level out of a saucer full of water set on a 10-foot board. The earth cut off the high places is usually enough to level up the low places.

At one side should be the “Council Rock” against one or more big trees, if possible, or a high rock. The Council Rock is usually a plank seat 15 inches high and eight feet long—to accommodate the Chiefs who are running the Council, and the distinguished visitors. Right opposite, as nearly as convenient, should be an opening for entrance; all around the circle elsewhere should be seats 10 or 12 inches high, with a comfortable back to each.

The plan of the Council Ring is as in the diagram, but omits the back to each seat; the other details of the seats are sufficiently shown.

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Mike Belcher of Dispatch from the L.A. Times

Mike Belcher of Dispatch

Preserving His Indian Heritage

Biographical Information
Reprinted and condensed from Among Ourselves, January 1972

Los Angeles Times
Times Mirror Square
Los Angeles, California 90053

Mike Belcher of the Times Dispatch department was known as a soft-spoken activist dedicated to preserving and promoting Native American heritage and culture.

Belcher’s concern for Native American issues was deeply personal. Descended from the California Mission Indians, he was also connected through marriage to the Navajo Nation, as his wife was full-blooded Navajo. His grandfather, Artie Ortego, also known as “Little Horse,” was among the first Native American actors in the motion picture industry.

In May of 1971, Mike Belcher was elected to the board of directors of the Los Angeles Indian Center, an organization serving as a cultural refuge and meeting place for Native Americans living in the metropolitan Los Angeles area. His involvement in Native affairs, however, began much earlier during his youth.

Born and raised in Los Angeles, Belcher developed a strong interest in the traditions and ways of his ancestors. He studied Native lore, learned archery, and practiced traditional Native crafts. As a teenager, he became involved with the YMCA Indian Guides program, where he taught younger children Native lore and crafts. He also worked in private camps as a counselor, crafts instructor, and archery instructor.

After graduating from high school in Los Angeles, Belcher joined the California National Guard. Following six months of active duty, he began working closely with the Los Angeles Indian Center, focusing primarily on youth outreach programs.

Belcher worked to create positive activities for Native youth, helping organize dances and social events in Elysian Park. During this time, he met his future wife, Rose Marie, at one of the dances hosted through the Indian Center.

Alongside his community involvement, Belcher became active in organizations such as the Catholic Indian Club and the Navajo Sand Painters Club. He also began developing what he called the “Library of Native American Literature and History.”

The library project began with Belcher collecting newspaper and magazine articles related to Native American history and culture. He carefully organized and archived these materials by tribe and subject matter. After joining the Los Angeles Times, he consulted with Microfilm Services to learn methods of preserving his growing collection through microfilming.

Belcher described the library as a lifelong project and hoped it would eventually serve as an educational resource for Native American children and future generations.

As a board member of the Indian Center, Belcher believed Native communities needed to lead efforts addressing the challenges faced by Native people adapting to city life. He advocated for larger gathering spaces, social programs, and summer camps designed to reconnect Native youth with cultural traditions that risked being lost through urban assimilation.

He stated:

“We need a permanent summer camp where youth can learn some of the things they have lost through being assimilated into city life.”

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